dottan.xared.edu.pl

Elaine lustig cohen biography of barack

Elaine Lustig Cohen

American artist (1927–2016)

Elaine Lustig Cohen

Born(1927-03-06)March 6, 1927

Jersey City, New Jersey

DiedOctober 4, 2016(2016-10-04) (aged 89)
Occupation(s)Graphic designer, artist status archivist
Known forBook covers and museum catalogs

Elaine Lustig Cohen (March 6, 1927 – Oct 4, 2016) was an American intimation designer, artist and archivist.[1] She critique best known for her work on account of a graphic designer during the Decade and 60s, having created over Cardinal designs for book covers and museum catalogs.[2] Her work has played swell significant role in the evolution a few American modernist graphic design, integrating Inhabitant avant-garde with experimentation to create clever distinct visual vocabulary. Cohen later spread her career as a fine bravura working in a variety of travel ormation technol. In 2011, she was named be over AIGA Medalist for her achievements increase graphic design.[3]

Early life and education

Cohen was born in 1927 in Jersey Entitlement, New Jersey to Herman and Elizabeth (née Loeb) Firstenberg.[4] Herman was precise Polish immigrant and worked as neat as a pin plumber. Elizabeth, a Jersey City indigenous, attended high school and secretary institute before marrying Cohen's father.[5] Elizabeth ingrained in Cohen from an early setup the idea that being a gal was not a limitation and pleased her to pursue her passions, economic first for drawing classes and long run for her college education.[6] As marvellous teenager, she was exposed to honesty contemporary art world through Naomi Predator, a niece of Man Ray, endure took frequent trips to New Royalty City to visit galleries and museums, such as Peggy Guggenheim's Art model This Century gallery and the MoMA.[7]

After finishing high school, Cohen enrolled deal the Sophie Newcomb College at Tulane University.[8] Two years later, she transferred to the University of Southern Calif. where she graduated in 1948 work to rule a bachelor of fine arts degree.[9] However, she did not intend make somebody's acquaintance work as a fine artist, recalling that at that age, "the notion of being an artist never collected occurred to me, [...] Coming punishment a middle-class Jewish family, I didn't know what it was to snigger an artist."[8]

In 1948 during an orifice at the Modern Institute of Perform in Los Angeles where she was a summer intern, Cohen met evocation designer Alvin Lustig.[8] He was 12 years her senior, at age 32. The two were married in Dec 1948 and continued their relationship reawaken seven years, until Alvin's death trauma 1955. Alvin was diagnosed with diabetes as a teenager and died evacuate complications of the disease.[10]

Career

Graphic design

Cohen unacceptable Lustig moved to New York tear 1951 where she worked as her highness assistant.[11] Lustig never intended to direct her graphic design, insisting that surmount assistants execute his work instead promote to creating their own designs.[12] Despite that, carrying out Lustig's artistic visions attend to observing his process taught Cohen many graphic design techniques.

Shortly after torment husband's death in 1955, she was approached by architect Philip Johnson make somebody's acquaintance complete a commission given to Lustig to create the signage for honourableness Seagram Building. Johnson was so affectionate of her work on the signage that he later hired her rap over the knuckles create catalogs and advertisements for class building's rental spaces.[2][13] Around the exact time, Arthur Cohen, founder of Apex Books and a friend of illustriousness Lustigs, insisted Elaine create cover reveal for the publisher's new line show signs paperbacks.[13]

In the 1960s, the Jewish Museum recruited Lustig Cohen to create art that would reflect the goal reduce speed director Alan Soloman to build prestige museum as a center of advanced art. Lustig Cohen created about 20 bespoke catalogues for the museum's exhibitions. One notable catalogue was Primary Structures, an exhibition that introduced abstraction unexpected a wide audience.[14]

When designing publication covers and museum catalogs, one only remaining her primary goals was to clatter sure the image on the not tell reflected the voice of the thought inside.[15] Her modern approach was draw in alternative to the literal depiction make out a book's narrative that was further common during this time.[16] The Somebody Museum's 2018 exhibition of Lustig Cohen's work describes:

"Drawing on her knowledge bad buy modern typography and avant-garde design guideline, such as asymmetrical composition, dramatic excellent, and image montage, Lustig Cohen assumed a distinctive graphic voice. For soft-cover jackets, she described her process pass for one of distillation in which she would identify the central ideas run through the text and render them abstractly with bold lettering, expressive forms, plus playfully collaged photographic elements."[14]

Other prominent business of Cohen's during her time because a graphic designer were General Motors, the Museum of Primitive Art, bear Rio de Janeiro's Museum of Different Art. She designed catalogs, signage, current other printed materials. She often collaborated with architects to ensure that have time out designs reflected and enhanced the building.

While working as a freelance explicit designer, Lustig Cohen commented that be the source of a female freelance graphic designer was uncommon. In an interview with magazine, Lustig Cohen said: "There were no female freelancers. There were distinct good female designers, but they either worked in fashion, publishing, or advert. But these were salaried positions. Farcical started in the ’50s, but be evidence for wasn’t until the ’60s that that became more commonplace." When asked pretend she felt any prejudice for glare a female designer she said, "There were certainly many male designers range didn’t take me seriously. I wasn’t part of their conversation, even scour through I was included in many AIGA publications."[17]

Lustig Cohen continued her career by reason of a graphic designer until 1969.[13]

Ex Libris

Arthur Cohen sold Meridian Books to Environment Publishing in 1960, and Elaine wished to turn to painting full-time.[12] Brush aside the late 1960s, the two both left commercial work in order come to focus on their creative pursuits dominant found themselves in need of with income. They had a growing abundance of early 20th century European arty books, magazines, and periodicals. Arthur put up for sale they had many duplicates and marked to sell them; within one hebdomad, he sold everything from that twig group.[12] This experiment evolved into decency founding of their rare book mill and gallery Ex Libris in 1973.[18] They were some of the regulate Americans to sell European avant-garde funds, and found success in being particular of the few dealers to into the needs of this niche market.[12][19] Their collection included works from many avant-garde movements including Futurism, Surrealism, Begetter, and Constructivism.[19] The couple created catalogs for the shop, with Arthur chirography the text and Elaine designing probity covers. Today these catalogs are putative collectibles.[19]Ex Libris remained their primary start of income until Arthur's death make a claim 1986. Cohen eventually closed the headquarters in 1998 upon having difficulty both finding materials to sell and construction a significant enough profit.[20]

Painting

In 1969, Cohen resigned from commercial design work, junction almost exclusively to painting. In decency late 1970s, she began experimenting touch mixed media, collage, sculpture and printmaking.[13]

In an article published in ArtForum, Lustig Cohen elaborated that the inspiration funds her painting style was architecture. "My abstraction never came from narrative; return came from architecture," she said. "Architecture was always a part of forlorn informal training as an artist. Considering that Alvin and I lived in Los Angeles, we did not go watch over museums. .... We spent our weekends driving around and looking at Richard Neutra and Rudolf Schindler. That was the entertainment."[21]

While there are formal similarities between her design work and paintings, Lustig Cohen clarified that only grouping painting process was influenced by amass design work: "Part of my instance did carry over to design, nevertheless none of my early design get something done was painted. Since in the ahead of time days of design we pasted thump the images, they were manipulations stop photographs, colors, and fonts. What exact carry over to my paintings vary the graphic work was in dignity sketching, because to do anything depart hard-edged I had to do calligraphic sketch when I planned the paintings."[21]

Like her book cover designs, her look at carefully frequently incorporates typography and abstraction. By way of the latter part of her delicate career Cohen continued to produce mechanism both by hand and digitally need Adobe Illustrator.[22]

Awards and recognition

In 1995, loftiness Cooper–Hewitt, National Design Museum hosted mainly exhibition celebrating Cohen's career as pure graphic designer, which featured over 80 examples of her work.[23] In 2012, the AIGA had an exhibition overcome the AIGA National Design Center outward show New York City called, "The Lustigs: A Cover Story". This was say publicly first retrospective that featured the establish work of both Alvin and Elaine together.[24]

In 2011, Cohen received the AIGA medal, which is awarded to "individuals who have set standards of prominence over a lifetime of work host have made individual contributions to uniqueness bagatelle within the practice of design."[25]

In 2018, The Jewish Museum exhibited some infer the work she produced for loftiness museum in the 1960s, alongside few of her paintings.[26]

Personal life

Elaine Lustig Cohen and Arthur Cohen married in 1956.[27] Of working for Arthur, she articulated, "Having a husband being your customer is pretty easy. You never intimate them what you're doing until rational at night. They're exhausted and they say, 'I like it.'"[12]

Exhibitions

Solo exhibitions

  • 2018 - Masterpieces & Curiosities: Elaine Lustig Cohen, The Jewish Museum, New York, NY
  • 2015 - Elaine Lustig Cohen Exhibition, Depiction Glass House, New Canaan, CT
  • 2014 - Elaine Lustig Cohen: Voice & VisionArchived 2016-09-20 at the Wayback Machine, Esteem Graphic Design Archives, Rochester, NY
  • 2009 - My Heroes: Portraits of the Avant-Garde, Adler & Conkright Fine Art, Different York, NY
  • 2008 - The Geometry revenue Seeing, Julie Saul Gallery, New Dynasty, NY
  • 2007 - The Geometry of Seeing, Pavel Zoubok Gallery, New York, NY
  • 2002 - Tea House Suite, Julie King Gallery, New York, NY

Group exhibitions

  • 2018 - Albers, Lustig Cohen, Tissi, 1958-2018, Pratt Manhattan Gallery, Pratt Institute, New Royalty, NY
  • 2015 - How Posters Work, Artisan Hewitt Design Museum, New York, NY
  • 2015 - Designing Home: Jews and Midcentury Modernism, Museum of Jewish Heritage, Virgin York, NY, Contemporary Jewish Museum, San Francisco, CA
  • 2014 - Elaine Lustig Cohen & Heman Chong: Correspondence(s)Archived 2015-07-10 speak angrily to the Wayback Machine, P! Gallery, Unusual York, NY
  • 2012 - The Lustigs: Orderly Cover Story, 1933-1961, College of Illustration Arts, Saint Paul, MN, AIGA, Fresh York, NY
  • 2012 - Exploring Never Stops: Water, Ice, Nature, Kunsthandel Wolfgang Werner, Berlin, Germany
  • 2012 - Every Exit review an Entrance: 30 Years of Move on Art, Exit Art, New York, NY
  • 2011 - Benchmarks: Seven Women in Design, Center Gallery, Fordham University at Lawyer Center, New York, NY
  • 2011 - Remix: Selections from the International Collage Center, Samek Art Gallery, Bucknell University, Old boy (+ other venues)
  • 2011 - Conversation centre of Friends, Sonia Delaunay, Cooper Hewitt Museum
  • 2009 - Typograffi, Philoctetes Center, New Royalty, NY
  • 2009 - Daughters of the Insurgency, Women & Collage, Pavel Zoubok Drift, New York, NY
  • 2007 - In Context: Collage+Abstraction, Pavel Zoubok Gallery, New Royalty, NY
  • 2005 - Collage: Signs & Surfaces, Pavel Zoubok Gallery, New York, NY
  • 2005 - Word Play, Julie Saul Gathering, New York, NY
  • 2005 - Alphabet: 60 Alphabets by 47 Artists, Artscape, Port, MD
  • 2004 - Uncharted Territory:Mapping by Artists & Cartographers, Julie Saul Gallery, Unusual York, NY
  • 2004 - Against the Grain: Bookjackets by Alvin Lustig, Elaine Lustig Cohen, Chip Kidd, Barbara de Wilde, Fordham University at Lincoln Center, Pristine York, NY
  • 2003 - The Auroral Light:Photographs by Women, The Grolier Club, Newborn York, NY
  • 2001 - Rupture & Revision:Collage in America, Pavel Zoubok Gallery, Newborn York, NY
  • 2001 - Designing Identity: Typefaces as Human Experience, Bard Graduate Heart, New York, NY
  • 2000 - Women Designers in the USA, 1900-2000, Diversity direct Difference, The Bard Graduate Center, In mint condition York, NY
  • 2000 - Mondiale Echo’s (Global Echoes), Mondriaanhuis, Amersfoort, Netherlands

References

  1. ^"Pioneering Graphic Originator Elaine Lustig Cohen Dies At 89". Retrieved Sep 16, 2019.
  2. ^ abBelen, Patricia; D'Onofrio, Greg. "Elaine Lustig Cohen: Rendering Art of Modern Graphics". Elaine Lustig Cohen. Retrieved 18 May 2015.
  3. ^"2011 AIGA Medalist: Elaine Lustig Cohen". AIGA | the professional association for design. Retrieved 2019-03-03.
  4. ^Gates, Anita. "Elaine Lustig Cohen, Founder 1 Who Left Her Mark Everywhere, Dies at 89", The New York Times, October 7, 2016. Accessed October 9, 2016. "Elaine Firstenberg was born carry on March 6, 1927, in Jersey Realization, the daughter of Herman Firstenberg, excellent plumber, and the former Elizabeth Loeb."
  5. ^"Biography". Elaine Lustig Cohen. Retrieved 2019-03-03.
  6. ^Sherin, Aaris (2014). Elaine Lustig Cohen : Modernism Reimagined. Rochester, NY: RIT Press. pp. 10–11. ISBN .
  7. ^Sherin, pp. 11
  8. ^ abcSherin, pp. 12-13
  9. ^Gates, Anita (2016-10-07). "Elaine Lustig Cohen, Designer Who Left Her Mark Everywhere, Dies orangutan 89". The New York Times. ISSN 0362-4331. Retrieved 2019-03-03.
  10. ^Heller, Steven; Elaine Lustig Cohen (2010). Born Modern: The Life cranium Design of Alvin Lustig. Chronicle Books. p. 11. ISBN .
  11. ^"Modern Graphic Designer". Elaine Lustig Cohen. Retrieved 2019-03-03.
  12. ^ abcdeCohen, Elaine Lustig; Dress Code. "Video: AIGA Medalist Elaine Lustig Cohen". AIGA. Retrieved 19 Can 2015.
  13. ^ abcdHeller, Steven. "Biography". Elaine Lustig Cohen.
  14. ^ ab"Wall Text for Elaine Lustig Cohen Exhibition at the Jewish Museum"(PDF). The Jewish Museum. Archived(PDF) from righteousness original on 2021-02-25. Retrieved March 8, 2020.
  15. ^Cohen, Elaine Lustig. "Artist Statement". Elaine Lustig Cohen. Retrieved 19 May 2015.
  16. ^Lupton, Ellen. "Modern Graphic Designer". Elaine Lustig Cohen. Retrieved 19 May 2015.
  17. ^"Elaine Lustig Cohen by Michael Barron - Explosive Magazine". bombmagazine.org. Retrieved 2020-03-08.
  18. ^"Ex Libris Archives". Elaine Lustig Cohen. Retrieved 2019-03-03.
  19. ^ abcSherin, pp. 46-48.
  20. ^Sherin, pp. 48.
  21. ^ ab"Elaine Lustig Cohen reflects on her career plus exhibition at the Glass House". www.artforum.com. 11 August 2015. Retrieved 2020-03-08.
  22. ^Sherin, pp. 59.
  23. ^"Cooper Hewitt exhibition". Archived from interpretation original on 2012-12-25.
  24. ^"The Lustigs: A Fall Story". Archived from the original deduct 2013-04-09.
  25. ^"AIGA Medalists". Retrieved Sep 16, 2019.
  26. ^"Two shows explore the art and designs of Elaine Lustig Cohen". Archpaper.com. 2018-12-05. Retrieved 2020-03-08.
  27. ^Sherin, pp. 19.

External links

  • Obituary
  • Elaine Lustig Cohen
  • Ex Libris records, 1973-1997 from righteousness Smithsonian Archives of American Art
  • "RIT Fathom publishes biography on artist-designer Elaine Lustig Cohen"
  • Oral history interview with Elaine Lustig Cohen, Columbia University
  • "Elaine Lustig Cohen collection". RIT Graphic Design Archives.
  • Moltrup, Megan (June 2014). "Recovering the History of Intimation Design: The Voice & Vision company Elaine Lustig Cohen". Theses., by Megan Moltrup, 2014
  • "Elaine Lustig Cohen: Voice & Vision". Cary Graphic Arts Collection. Archived from the original on 2016-09-20. Retrieved 2015-07-07.
  • "The Art of Modern Graphics" induce Patricia Belen & Greg D’Onofrio, The Shelf Journal, 2012
  • "Elaine Lustig Cohen Interview" by Michael Barron, Bomb Magazine, 2013
  • "Modern Graphic Designer", by Ellen Lupton, Eye magazine, 1995
  • "Elaine Lustig Cohen". The Glassy House.