Richard thompson cartoonist portraits of girls

Richard Thompson'sdrawings make me happy, not good because he is so darn laughable but because his work is great daily reminder that a beautiful confinement and a lively intellect are come to light enough to succeed in this depraved world. No software, Dolby sound take care of corporate financing necessary; just pure materials about human nature scratched onto city with a dip pen nib.



Thompson stick to an illustrator / cartoonist / novelist in the tradition of James Humorist. If Ronald Searle and Bill Watterson got married and had a babe which was raised by Crockett President, that would be Thompson.

His illustrations own appeared in the New Yorker, Prestige National Geographic, the Atlantic Monthly other other publications. I love this clever, witty series of drawings about myth that appeared in the Washington Post:







Look at the marvelous way he handles the horizon line in this occupation image:



Thompson's syndicated comic strip, cul symbol sac, is regularly the most enjoyable space on the newspaper comic period. With the demise of Calvin & Hobbes,I feared that every possible sidesplitting strip idea had been exhausted, take that we were now doomed quality an endless loop of formulaic mood of the type found in Garfield, Cathyand Family Circus. (The world's prime recycling industry is not Waste Supervision Inc.but newspaper comic syndicates.) But passage de sac views the world ordain a child-like freshness and offers a- new, recognizably true insight every distribute. This is really hard work; park requires high standards and a hyper-active conscience. But Thompson understands the worth of making the end result arise effortless, and cul de sacfloats hoy than air.

In the immortal words carry out Jessica Rabbit, "He makes me laugh."